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Posts Tagged ‘wheel of the year’

Spring
Spring is Edenic—all of the ancient cultures yearn for the lost paradise or “golden age” 
which is described as a recurring rebirth. What they are really after is the bliss of 
childhood, rarely captured as poetically as in 
Paradjanov’s Shadows of Forgotten Ancestors or Malick’s Tree of Life.




Summer
I concur with De Quincey in Suspiria de Profundis when he discerns that death 
is, subtly, more pronounced in summertime 
(not the finality of winter--a lingering malaise.)  
It is also, linked to this, an urge to escape.  Antonioni and Wenders both capture this 
hollow, fleeting emptiness of summer 
and the limbo its travelers are perpetually caught within.





Autumn
Autumn is the turning towards love (or the lack thereof), a longing for romance 
crystallized in the boyhood adolescent fantasies of Fellini's Amarcord.  
And it is the turning away from others to face the inner self 
and its recollections and regrets.  
This is crystallized in The Double Life of Veronique.





Winter
Winter is, of course, associated with death as it is the death of the year.  
On a more submerged level, though, winter deepens the return to one's core 
which unfolds in autumn.  
In winter one finally is face-to-face with the sublime infinite void 
and the meaning of home, 
represented, respectively, in the vastness of the primeval Siberian wilderness 
in Kurosawa's Dersu Uzala and the sacred climbing of the mount 
and snowflakes surrounding birth in Brakhage's Dog Star Man.



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